Veer Samvat 2550, Paush Sud 9 to Paush Vad 1, Friday, 19th January to Friday, 26th January, 2024

अध्यात्मतीर्थ है सुवर्णपुरी, जहां बरसे ज्ञान धनेरा...

About Pratishtha

About Pratishtha

Panchkalyanak

Shri Aadinath Digambar Jain Panchakalyanak Pratishtha Mahotsav is a unique, unparalleled, and grand festival for the well-being of all souls. This festival is a celebration of rituals showcasing knowledge and detachment – essential for attaining liberation (moksha), and also an event that brings glory to the Jain religion.

Establishing unity with one’s eternal pure Soul and recognizing it as the ‘Self,’ meaning – believing “I am like Jinendra Bhagwan,” is known as Real Pratishtha or Nischay Pratishtha. On the other hand, instilling the supreme qualities of Lord Jina in an idol made of stone or metal is known as Conventional or Vyavahar Pratishtha.

Just as nutritious food is essential in keeping the body healthy, and thoughts of supreme truth are essential in keeping the soul healthy, similarly, the Panchakalyanak Pratishtha Mahotsav is essential to connect household life with the path to liberation (moksha). In this present difficult era, apart from the passionless deities, scriptures, and detached gurus, there is no other refuge. Even for devoted practitioners trying to remain steadfast on the path of detachment, it is essential to visit Jain temples and worship Jain idols. Jin Panchakalyanak Pratishtha Mahotsav is necessary for this reason.

The five significant events in the lives of Tirthankar Paramatmas, who have walked the path of self-realisation and become free from the cycle of birth and death, whilst also guiding us on the path of self-realisation, are called Panchakalyanak. These five Kalyanaks or events are conception, birth, renunciation, omniscience, and liberation. These events are also observed in the lives of ordinary Kevalis (omniscient beings), but in the lives of Tirthankar Paramatmas, these events become inspiring for other souls as they signify right effort, knowledge, and detachment. Therefore, they are called Kalyanak.

During the Panchakalyanak Pratishtha Mahotsav, the five auspicious events are ritually invoked upon the idol of Shri Jinendra Bhagwan through mantra recitations, thereby consecrating the idol as an Arihant or Siddha Bhagwan. Over the course of six days, the ceremonies include the preceding rituals of Conception Event (Garbh Kalyanak), followed by the Conception Event (Garbh Kalyanak), Birth Event (Janma Kalyanak), Renunciation Event (Tapa Kalyanak or Diksha Kalyanak), Omniscience Event (Keval Gyaan Kalyanak), and Liberation Event (Moksh Kalyanak). Through these auspicious ceremonies, the important real-life events of Tirthankar Bhagwan’s final birth are symbolically imprinted upon the idol.

This process includes various rituals, from the Shanti Puja/Jaap to the Shanti Yagna, along with numerous mantra recitations and other ceremonies. The main rituals involved in Pratishtha of Jina Idol are the Ankanyasa Vidhi, Tilakdaan Vidhi, Adhivasna Vidhi, Swastyayan Vidhi, Shri Mukhodhgathan Vidhi, Netronmeelan Vidhi, Pran Pratishtha Vidhi, the Surimantra Vidhi amongst other key rituals.

Various rituals performed during the Panchakalyanak Pratishtha Mahotsav are described in numerous texts. However, the “Pratishtha Paath” written by Acharya Jayasen also known as Vasubindu Acharya is considered the oldest and most authoritative text on Pratishtha rituals. Based on this text, all rituals in the Panchakalyanak Pratishtha Mahotsav were performed in Suvarnapuri.

For souls detached from worldly life, the body, and pleasures, Shri Jinbimb Panchakalyanak Pratishtha Mahotsav becomes a cause for immense accumulation of merit karmas and an increase in fame. Additionally, for those who come to worship the consecrated Jinendra Bhagwan, merely observing the pure and supremely serene posture of the Jinbimb results in the destruction of all obstacles and freedom from passions and desires. This ceremony and celebration ensure the protection of the Vitrag path of Jinendra Bhagwan and serves as an instrumental cause for Right Belief (Samyak Darshan) for eternity.

Address from the Trustees

Under the influence of the Passionless Gods, Scriptures, and Gurus, along with the venerable (Pu.) Gurudevshree Kanjiswami and his devoted disciple, the venerable (Pu.) Bahenshree Champaben, we have always been engaged in promoting Jain teachings. We are pleased to announce that, as a result of their auspicious blessings, Shri Aadinath Digambar Jinbimb Panchakalyanak Pratishtha Mahotsav has been successfully completed, over and beyond our expectations. This event came about 38 years after the consecration of the Shri Panchmeru-Nandishwar Jinalay, in the newly constructed complex at Songadh, featuring the Jambudweep Eternal Jinayatan, the meditative Bahubali Munindra, the eternal Jinendra Mandap, and the installation of four Balayati Bhagwan in the Shri Simandharswami Jinalay.

The trust extends its gratitude to our volunteers, the entire staff, the Panchayat of Songadh village, all the villagers, and the professional agencies for the success of this event. The trust also expresses heartfelt thanks to the many Jain followers from across the country and abroad who participated in the event and enhanced its grandeur. We hope that we all remain connected in the promotion of Jain principles and continue to advance on the path of self-realisation. So, let us all once again relive the golden memories of the Panchakalyanak Pratishtha Mahotsav through this special edition dedicated to Shri Aadinath Digambar Jinbimb Panchakalyanak Pratishtha Mahotsav…

President, Secretary, and all Trustees
Shri Digambar Jain Swadhyay Mandir Trust, Songadh

The Sentiment of the Panchakalyanak Pratishtha Mahotsav – Self-Realisation/Religion of the Self

Pratishthacharya

  • Pt. Subhashbhai Sheth

Co-Pratishthacharya

  • Br. Pt. Hemantbhai Gandhi

Associate Pratishthacharya

  • Pt. Atulbhai Kamdar
  • Pt. Nitinbhai Sheth
  • Pt. Shaileshbhai Gandhi
  • Pt. Pramodbhai Jain
  • Sh. Atulbhai Gandhi
  • Sh. Nikhilbhai Mehta
  • Sh. Somilbhai Mehta

The Panchakalyanak Pratishtha Mahotsav is an immensely auspicious event that inspires a soul to transcend from being ordinary to attaining the status of Supreme Being (Paramatma), or from being worldly to achieving Liberated (Siddha) status. Essentially, there are two types of Panchakalyanak Pratishtha: Nishchay (real) Panchakalyanak and Vyavahar (conventional) Panchakalyanak. The installation of the Jina idol, made of stone or metal, is known as Vyavahar Panchakalyanak. However, the true essence lies in realizing the pure soul within one’s own self, referred to as Nishchay Panchakalyanak Pratishtha Mahotsav.

The ultimate purpose of every action in human life is the true realisation of one’s pure soul, known as Samyak Darshan, the true knowledge, known as Samyak Gyaan, and true conduct, known as Samyak Charitra. Alongside this, in practical life, a householder (Shravak) observes the six essential duties: worship of the divine (Dev Puja), reverence to the teacher (Guru Upasana), individual-study (Swadhyay), austerity (Sanyam), penance (Tap), and gift to worthy recipients (Daan). The Vyavahar Panchakalyanak is performed so that the devotees can easily worship and have a darshan of Lord Jinendra.

During the Panchakalyanak Pratishtha, the events celebrated symbolise the four Anuyogas (styles of narration), ultimately reflecting a spirit of detachment (Vitragta). The five auspicious events (Kalyanaks) of a Tirthankar represent the Prathamanuyog. The description of Meru Mountain and the Samavasaran pertains to the Karananuyog. The practices and meditations of ascetics, such as accepting aahar, fall under the Charananuyog. Lastly, the sentiments of spiritual upliftment expressed through various events during the Panchakalyanak represent the Dravyanuyog.

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Panchkalyan Pratistha

Ideal Panchakalyanak Pratishtha Mahotsav

This event can be presented as an ideal Panchakalyanak for the entire Mumukshu community for several reasons, some of which are highlighted here

Focus on Spiritual Discourse: Throughout this unique Panchakalyanak, the entire stage time was devoted solely for discussions on religious principles and the events of the Panchakalyanak. No donation announcements or auctions of any kind were made, setting a model example.

Ancient Pratishtha Rituals: All rituals during the Suvarnapuri Panchakalyanak Pratishtha Mahotsav were conducted based on the “Pratishtha Paath,” composed by Acharya Jaysen, also known as Vasubindu Acharya. This is one of the oldest texts on Pratishtha rituals, created by an Acharya and passed down through the lineage of Acharyas.

Inspiring Quotes: Inside the Pavilion both sides were decorated with spiritual quotes from enlightened persons, thus emphasizing the pure soul repeatedly.

From Flag Hoisting to the final Peace Ritual: Every program, worship, devotional songs, study, discussion of principles, and discourses endorsed the teachings of Bhed Vigyan (the science of differentiation between self and non-self).

Depiction of Tirthankar Aadinath’s Life: All significant events from the life of Lord Aadinath, from conception to liberation, were beautifully presented, with each incident conveying its meaning and inspiring spiritual understanding.

Inspiration from Ideal Lives: The life events of our Tirthankars and enlightened souls, who led ideal lives, provide us with valuable lessons.

Inspirational Discourses: The discourses on the Samaysaarji 14th verse by revered (Pu. Gurudevshree, discussions by Pu. Mataji, and the studies conducted by scholars were deeply inspirational.

Path to Enlightenment: This event, highlighting the journey from human to divine, from ordinary to supreme, served as an ideal inspiration for all of us to attain the right belief and understanding of differentiation between self and non-self.

Attaining Right Knowledge and Detachment: This entire Panchakalyanak will be truly ideal for us if we transform our inner self through each event, strengthen our knowledge and detachment (renounce worldly pleasures and attachments), and pursue self-realisation as taught by Pujya Gurudevshree.

Extraordinary Panchakalyanak Pratishtha Mahotsav

In addition to being an ideal Panchakalyanak Pratishtha Mahotsav, this event can be presented as an extraordinary Panchakalyanak for the following reasons

  • Majestic Icons and Depictions: The presence of the 41-foot-tall statue of Bahubali Munindra, along with the beautifully created depiction of Jambudweep, the three idols in the discourse hall and the four celibate Tirthankar idols in the Lord Simandharswami Jin Mandir enhanced the splendour of Suvarnapuri.
  • Shri Jambudweep-Bahubali Jinayatan Project Square Foot Scheme: An extraordinary project plan was introduced by the Trust, allowing all Mumukshus to participate in the construction of the complex. The scheme received an excellent response, with a magical wheel determining ten participating families who were given the privilege of installing two Jin idols.
  • The Recreated Ayodhya City: The venue, modelled after the city of Ayodhya, captivated everyone’s hearts. Outside the Pavilion was a large, impressive statue of revered (Pu.) Gurudevshree offering blessings.
  • 3D Animation for Yaag Mandal ceremony: For the first time in history, 3D animation was used to enhance the soulful impact of the Yaag Mandal ceremony and to vividly convey the meaning of each verse.
  • Modern Technology: Each event was presented via advanced technology using visual and chroma shooting, making us feel as if we had been actually transported to that fourth Era.
  • Unforgettable Performances: Various significant events, such as the 16 dreams of the mother, the dance depicting their meanings, the Indra Sabha, the Royal court discussions, the birth celebration, excitement of the cradling celebration of the baby Tirthankar, the poignant moments of renunciation during the Tap Kalyanak, the offering of aahar, the creation of the Samavasaran, and the final scene of Moksh Kalyanak, were all performed in a memorable manner.
  • Inspiration through Devotion: Thirty-one pairs of devotees who like individual study (Swadhyay) were represented as celestial beings, who, along with Indra and Indrani, come from heaven to celebrate the Panchakalyanak and partake in the worship and rituals. This initiative greatly encouraged the practice of individual study (Swadhyay).
  • Evening Cultural Programs: The evening cultural programs were a major attraction. Programs like “Sarvagunansh te Samakit,” “Hu Songadh,” “Akrutrim Chaityalayasya Vandanam,” “Adipuraana,” and “Tatakshan Yogyata” created a buzz, fostering a vibrant atmosphere of religious discourse.
  • Dialogues and Dramas: The dialogues between Bharat-Bahubali and Brahmi-Sundari, showcasing the detached state of King Rishabhdev deeply moved the audience.
  • Diverse Participation: A remarkable feature of this event was the participation of many Jains beyond the Digambar sect, as well as numerous non-Jain seekers, who attended the festival, listened to the true principles, and became aware of the true path.
  • This Panchakalyanak Pratishtha Mahotsav was an extraordinary event that left an indelible mark on the Jain community and beyond.

Timeline: From Venerable (Pu.) Gurudevshree’s Arrival in Songadh, Revelation of Truth, Permanent Residency, to Shri Aadinath Digambar Jinbimb Panchakalyanak Pratishtha Mahotsav

A great soul arrived from Videha Kshetra for the fortunate beings of Bharat Kshetra and was born in the village of Umrala, Gujarat, on Vaisakh Sud 2, V.S. 1946, Sunday (April 21, 1890). In V.S. 1978 (1922 AD), the revered Shri Samaysaar scripture reached the hands of this truth-seeker, detached Mahatma, filling him with unparalleled joy. He found the truth he had been seeking for years, in Shri Samaysaarji. The profound and intense effort made by this exceptional soul enabled him to grasp the nectar overflowing in Shri Samaysaarji, drink deeply from it, and experience immense inner bliss, transforming his inner soul.

On Chaitra Sud 13, V.S. 1991 (1935 AD), the day of Mahavir Jayanti, in a house called ‘Star of India, Songadh,’

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V.S. 1991 (1935 AD

V.S. 1994 (1938 AD)

In V.S. 1994 (1938 AD), he permanently settled in Shri Swadhyay Mandir and the Establishment (Sthapana) of Shri Samaysaar was done by the revered (Pu.) Bahenshree Champaben.

In V.S. 1997 (1941 AD), the Shri Simandhar Bhagwan Jain Temple was consecrated, and religious education classes began.

V.S. 1997 (1941 AD)

V.S. 1998 (1942 AD)

In V.S. 1998 (1942 AD), the Shri Simandharswami Jinendra Dharma Sabha (Samavasaran) was created.

In V.S. 2000 (1944 AD), the publication of the monthly magazine ‘Atmadharma’ started.

V.S. 2000 (1944 AD)

V.S. 2003 (1947 AD)

In V.S. 2003 (1947 AD), the ‘Bhagwan Shri Kundkund Pravachan Mandap’ was inaugurated.

In V.S. 2005 (1949 AD), the Brahmacharyashram was established for the permanent residence of celibate sisters.

V.S. 2005 (1949 AD)

V.S. 2006 (1950 AD)

In V.S. 2006 (1950 AD), the daily religious paper ‘Sadguru Pravachan Prasad’ began publication.

In V.S. 2008 (1952 AD), the Jain Vidyarthi Gruh (boy’s hostel) was established.

V.S. 2008 (1952 AD)

V.S. 2009 (1953 AD)

In V.S. 2009 (1953 AD), the 63-foot elevated Shri Manastambh, adorned with the four-faced Shri Simandharnath at the top as well as the bottom, was established with great devotion.

In V.S. 2013 (1957 AD), the Shri Simandhar Bhagwan Jain Temple was extended, and Lord Neminath was installed in another consecration ceremony, on a new pedestal on the upper floor.

V.S. 2013 (1957 AD)

V.S. 2030 (1975 AD)

In V.S. 2030 (1975 AD), the ‘Shri Mahavir-Kundkund Digambar Jain Paramagam Mandir was consecrated in the presence of 25,000 spiritual seekers.

In V.S. 2041 (1985 AD), the idols of Shri Aadinath and other Bhagwans along with eternal idols in Nandishwar

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V.S. 2041 (1985 AD)

Various Years

Where Digambar Jain temples were few in the Saurashtra region, 33 Panchakalyanak Pratishthas and 33 Vedi

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In this sequence of events, it was decided to install the upright monolith (Khadgasana)

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V.S. 2080 (2024 AD)