In addition to being an ideal Panchakalyanak Pratishtha Mahotsav, this event can be presented as an extraordinary Panchakalyanak for the following reasons

• Majestic Icons and Depictions: The presence of the 41-foot-tall statue of Bahubali Munindra, along with the beautifully created depiction of Jambudweep, the three idols in the discourse hall and the four celibate Tirthankar idols in the Lord Simandharswami Jin Mandir enhanced the splendour of Suvarnapuri.
• Shri Jambudweep-Bahubali Jinayatan Project Square Foot Scheme: An extraordinary project plan was introduced by the Trust, allowing all Mumukshus to participate in the construction of the complex. The scheme received an excellent response, with a magical wheel determining ten participating families who were given the privilege of installing two Jin idols.
• The Recreated Ayodhya City: The venue, modelled after the city of Ayodhya, captivated everyone’s hearts. Outside the Pavilion was a large, impressive statue of revered (Pu.) Gurudevshree offering blessings.
• 3D Animation for Yaag Mandal ceremony: For the first time in history, 3D animation was used to enhance the soulful impact of the Yaag Mandal ceremony and to vividly convey the meaning of each verse.
• Modern Technology: Each event was presented via advanced technology using visual and chroma shooting, making us feel as if we had been actually transported to that fourth Era.
• Unforgettable Performances: Various significant events, such as the 16 dreams of the mother, the dance depicting their meanings, the Indra Sabha, the Royal court discussions, the birth celebration, excitement of the cradling celebration of the baby Tirthankar, the poignant moments of renunciation during the Tap Kalyanak, the offering of aahar, the creation of the Samavasaran, and the final scene of Moksh Kalyanak, were all performed in a memorable manner.
• Inspiration through Devotion: Thirty-one pairs of devotees who like individual study (Swadhyay) were represented as celestial beings, who, along with Indra and Indrani, come from heaven to celebrate the Panchakalyanak and partake in the worship and rituals. This initiative greatly encouraged the practice of individual study (Swadhyay).
• Evening Cultural Programs: The evening cultural programs were a major attraction. Programs like “Sarvagunansh te Samakit,” “Hu Songadh,” “Akrutrim Chaityalayasya Vandanam,” “Adipuraana,” and “Tatakshan Yogyata” created a buzz, fostering a vibrant atmosphere of religious discourse.
• Dialogues and Dramas: The dialogues between Bharat-Bahubali and Brahmi-Sundari, showcasing the detached state of King Rishabhdev deeply moved the audience.
• Diverse Participation: A remarkable feature of this event was the participation of many Jains beyond the Digambar sect, as well as numerous non-Jain seekers, who attended the festival, listened to the true principles, and became aware of the true path.
• This Panchakalyanak Pratishtha Mahotsav was an extraordinary event that left an indelible mark on the Jain community and beyond.